The shocking, untold story of how African independence was strangled at birth by America’s systematic interference. Accra, 1958. Africa’s liberation leaders have gathered for a conference, full of strength, purpose and vision. Newly independent Ghana’s Kwame Nkrumah and Congo’s Patrice Lumumba strike up a close partnership. Everything seems possible. But, within a few years, both men will have been targeted by the CIA, and their dream of true African autonomy undermined. The United States, watching the Europeans withdraw from Africa, was determined to take control. Pan-Africanism was inspiring African Americans fighting for civil rights; the threat of Soviet influence over new African governments loomed; and the idea of an atomic reactor in black hands was unacceptable. The conclusion was simple: the US had to ‘recapture’ Africa, in the shadows, by any means necessary. Renowned historian Susan Williams dives into the archives, revealing new, shocking details of America’s covert programme in Africa. The CIA crawled over the continent, poisoning the hopes of 1958 with secret agents and informants; surreptitious UN lobbying; cultural infiltration and bribery; assassinations and coups. As the colonisers moved out, the Americans swept in—with bitter consequences that reverberate in Africa to this day.

One of the outstanding mysteries of the twentieth century, and one with huge political resonance, is the death of Dag Hammarskjold and his UN team in a plane crash in central Africa in 1961. Just minutes after midnight, his aircraft plunged into thick forest in the British colony of Northern Rhodesia (Zambia), abruptly ending his mission to bring peace to the Congo. Across the world, many suspected sabotage, accusing the multi-nationals and the governments of Britain, Belgium, the USA and South Africa of involvement in the disaster. These suspicions have never gone away. British High Commissioner Lord Alport was waiting at the airport when the aircraft crashed nearby. He bizarrely insisted to the airport management that Hammarskjold had flown elsewhere - even though his aircraft was reported overhead. This postponed a search for so long that the wreckage of the plane was not found for fifteen hours. White mercenaries were at the airport that night too, including the South African pilot Jerry Puren, whose bombing of Congolese villages led, in his own words, to 'flaming huts . . . destruction and death'. These soldiers of fortune were backed by Sir Roy Welensky, Prime Minister of the Rhodesian Federation, who was ready to stop at nothing to maintain white rule and thought the United Nations was synonymous with the Nazis. The Rhodesian government conducted an official inquiry, which blamed pilot error. But as this book will show, it was a massive cover-up that suppressed and dismissed a mass of crucial evidence, especially that of African eyewitnesses. A subsequent UN inquiry was unable to rule out foul play - but had no access to the evidence to show how and why. Now, for the first time, this story can be told. Who Killed Hammarskjoeld? follows the author on her intriguing and often frightening journey of research to Zambia, South Africa, the USA, Sweden, Norway, Britain, France and Belgium, where she unearthed a mass of new and hitherto secret documentary and photographic evidence.

Colour Bar is the true story of a love which defied family, Apartheid, and empire - the inspiration for the major new feature film A United Kingdom, starring David Oyelowo and Rosamund Pike.

London, 1945: the heir apparent to the kingship of Bechuanaland (later Botswana) arrives in Britain to complete his legal studies. Seretse Khama, an urbane 24-year-old, educated like Mandela at Fort Hare, is welcomed into the elite world of the Inner Temple in London. But then, in 1947, he does something that will change the course of his life, and that of his country, forcing him into to six long years of exile: he falls in love with a white British woman, Ruth Williams.

Drawing on a mass of previously classified records, Susan Williams tells Seretse and Ruth's story – an astonishing account of how the British Government conspired with apartheid South Africa and Rhodesia to prevent the mixed-race royal couple returning home. This is a shocking account of a shameful period in British history: of overt racism on the streets of London and the corridors of Whitehall, and of appeasement to apartheid South Africa.

But it is also an inspiring, triumphant tale of hope, courage and true love, as with tenacity and great dignity Seretse and Ruth and the Bangwato people overcome prejudice in their fight for justice.

The shocking, untold story of how African independence was strangled at birth by America's systematic interference. Accra, 1958. Africa's liberation leaders have gathered for a conference, full of strength, purpose and vision. Newly independent Ghana's Kwame Nkrumah and Congo's Patrice Lumumba strike up a close partnership. Everything seems possible. But, within a few years, both men will have been targeted by the CIA, and their dream of true African autonomy undermined. The United States, watching the Europeans withdraw from Africa, was determined to take control. Pan-Africanism was inspiring African Americans fighting for civil rights; the threat of Soviet influence over new African governments loomed; and the idea of an atomic reactor in black hands was unacceptable. The conclusion was simple: the US had to 'recapture' Africa, in the shadows, by any means necessary. Renowned historian Susan Williams dives into the archives, revealing new, shocking details of America's covert programme in Africa. The CIA crawled over the continent, poisoning the hopes of 1958 with secret agents and informants; surreptitious UN lobbying; cultural infiltration and bribery; assassinations and coups. As the colonisers moved out, the Americans swept in-with bitter consequences that reverberate in Africa to this day.

Originally published in 1994 The Politics of the Welfare State looks at how the privatization and marketization of education, health and welfare services in the past decade have produced a concept of welfare that is markedly different from that envisaged when the welfare state was initially created. Issues of class, gender and ethnicity are explored in chapters that are wide ranging but closely linked. The contributors are renowned academics and policy-makers, including feminist and welfare historians, highly regarded figures in social policy, influential critics of recent educational reforms and key analysts of current reform in the health sector.

Originally published in 1994 The Politics of the Welfare State looks at how the privatization and marketization of education, health and welfare services in the past decade have produced a concept of welfare that is markedly different from that envisaged when the welfare state was initially created. Issues of class, gender and ethnicity are explored in chapters that are wide ranging but closely linked. The contributors are renowned academics and policy-makers, including feminist and welfare historians, highly regarded figures in social policy, influential critics of recent educational reforms and key analysts of current reform in the health sector.

This book explores the phenomenon of Independence Days. These rituals had complex meanings both in the territories concerned and in Britain as the imperial metropole, where they were extensively reported in the press. The text is concerned with the political management, associated rhetoric and iconography of these seminal celebrations. The focus is therefore very much on political culture in a broad sense, and changing perceptions and presentations over time. Highlights of the book include an overview by David Cannadine relating the topic to ornamentalism, invented tradition and transitions in British culture. Although the book is mainly concerned with the British Empire, Martin Shipway - a leading historian and cultural analyst of French decolonization - contributes an acute summary of how the same 'moment' was handled differently in the other great European empires. There are detailed and lively studies by noted specialists of the immediate coming of Independence to India/Pakistan, Malaya, Ghana, Zimbabwe, and Guyana. The book includes a thematic focus on the important role of representatives of the British monarchy in legitimating transfers of sovereignty at their point of climax. This book was published as a special issue of The Round Table.

One of the outstanding mysteries of the twentieth century, and one with huge political resonance, is the death of Dag Hammarskjold and his UN team in a plane crash in central Africa in 1961. Just minutes after midnight, his aircraft plunged into thick forest in the British colony of Northern Rhodesia (Zambia), abruptly ending his mission to bring peace to the Congo. Across the world, many suspected sabotage, accusing the multi-nationals and the governments of Britain, Belgium, the USA and South Africa of involvement in the disaster. These suspicions have never gone away.British High Commissioner Lord Alport was waiting at the airport when the aircraft crashed nearby. He bizarrely insisted to the airport management that Hammarskjold had flown elsewhere - even though his aircraft was reported overhead. This postponed a search for so long that the wreckage of the plane was not found for fifteen hours. White mercenaries were at the airport that night too, including the South African pilot Jerry Puren, whose bombing of Congolese villages led, in his own words, to 'flaming huts ...destruction and death'. These soldiers of fortune were backed by Sir Roy Welensky, Prime Minister of the Rhodesian Federation, who was ready to stop at nothing to maintain white rule and thought the United Nations was synonymous with the Nazis. The Rhodesian government conducted an official inquiry, which blamed pilot error. But as this book will show, it was a massive cover-up that suppressed and dismissed a mass of crucial evidence, especially that of African eye-witnesses. A subsequent UN inquiry was unable to rule out foul play - but had no access to the evidence to show how and why. Now, for the first time, this story can be told. Who Killed Hammarskjold follows the author on her intriguing and often frightening journey of research to Zambia, South Africa, the USA, Sweden, Norway, Britain, France and Belgium, where she unearthed a mass of new and hitherto secret documentary and photographic evidence.

Jeremiah A. Wright, Jr. will forever be linked to the historical 2008 presidential campaign of the Senator Barack Obama. Although unwillingly thrust into the spotlight, the media attention could never overshadow Wright's prophetic teachings, nor does it define his life and ministry. The Book of Jeremiah examines Wright as a man, an African American, a patriot who served his country, a scholar, a prophet, and as a pastor. The relevance of his ministry reaches far beyond his pastorate at Trinity United Church of Christ. It has transcended to a global stage with a message of liberation and justice. In the most comprehensive picture of Rev. Wright, Smith, a close confidante, sheds light on his upbringing, teaching and preaching influences, preaching, and the far reaching effects of his ministry on Barack Obama and the world.

This book helps clinicians harness the benefits of cognitive-behavioral therapy (CBT) for children and adolescents with high-functioning autism spectrum disorders (ASD). Leading treatment developers describe promising approaches for treating common challenges faced by young people with ASD--anxiety and behavior problems, social competence issues, and adolescent concerns around sexuality and intimacy. Chapters present session-by-session overviews of each intervention program, review its evidence base, and address practical considerations in treatment. The book also discusses general issues in adapting CBT for this population and provides a helpful framework for assessment and case conceptualization informed by DSM-5.

Two earnest but not very well informed friends attempt to find and incubate moose eggs so that Moose can have some youngsters to raise. No surprise that they are not successful. The characters are bumbling but well-intentioned fellows who get themselves into scrapes that all work out okay in the end. This is a charmingly imaginative explanation of how Moose got his big, flat antlers; droopy nose; and wide hooves.

Spies in the Congo is the untold story of one of the most tightly-guarded secrets of the Second World War: America's desperate struggle to secure enough uranium to build its atomic bomb.The Shinkolobwe mine in the Belgian Congo was the most important deposit of uranium yet discovered anywhere on earth, vital to the success of the Manhattan Project. Given that Germany was also working on an atomic bomb, it was an urgent priority for the US to prevent uranium from the Congo being diverted to the enemy - a task entrusted to Washington's elite secret intelligence agents. Sent undercover to colonial Africa to track the ore and to hunt Nazi collaborators, their assignment was made even tougher by the complex political reality and by tensions with Belgian and British officials. A gripping spy-thriller, Spies in the Congo is the true story of unsung heroism, of the handful of good men -- and one woman -- in Africa who were determined to deny Hitler his bomb.

This is the first collection in English to focus exclusively on the various forms of popular film produced in Spain and to acknowledge the variety, range and depth of Spanish cinema. Contributors from across Hispanic, media and cultural studies explore a range of genres, from the musicals of the 1930s and 1940s to contemporary horror movies, historical epics of the 1940s and 1950s and contemporary representations of the Spanish Civil War. The book includes reappraisals of key popular directors such as Luis Garcia Berlanga and Antonio Mercero as well as critical analyses of celebrated stars like Marisol. It provides innovative consideration of the promotion and reception of horror in the 1960s, recollections of cinema-going in Madrid, and reflections on successful recent works such as 'Abre los Ojos' and 'Solas'. The contributors offer a range of critical and methodological perspectives, opening up new ways of analysing Spanish popular film. -- .

This book helps clinicians harness the benefits of cognitive-behavioral therapy (CBT) for children and adolescents with high-functioning autism spectrum disorders (ASD). Leading treatment developers describe promising approaches for treating common challenges faced by young people with ASD--anxiety and behavior problems, social competence issues, and adolescent concerns around sexuality and intimacy. Chapters present session-by-session overviews of each intervention program, review its evidence base, and address practical considerations in treatment. The book also discusses general issues in adapting CBT for this population and provides a helpful framework for assessment and case conceptualization informed by DSM-5.

Writing for radio brings together theoretical and practical aspects of radio writing. It deals with writing for all principal radio genres - short stories, plays, documentaries/drama documentaries, talks and features, adaptations/dramatisations, poems, and advertisements. It contains historical overviews of the genesis and development of each of these categories and attempts an analysis of the nature of radio itself. For the first time there is an attempt to isolate a 'radio language', a syntax and vocabulary guaranteed to produce pictures in the mind of the listener. This means radio can be taught as an academic subject as all writing - prose, drama and verse, can be tested as radio and examples for analysis are used from both broadcast and non-broadcast work. -- .

This book is the first to explore three visual media in contemporary Spain: cinema, television and the internet. It also examines cultural products in each of these media in terms of three vital themes: emotion, location and nostalgia. The first two chapters focus on emotion. They analyze the 'emotional imperative' in a recent Almodovar feature film and in Spanish television's top-rated period drama, and investigate the politics of affect in TV drama in the last decade. The next pair of chapters deal with location. They use cultural geography to re-read contradictory accounts of the movida (the post-Franco cultural boom) and examine an attempt to anchor a US-derived genre (the youth movie) in the urban landscape of Madrid. The fifth and sixth chapters introduce the theme of location into nostalgia. They treat the unique cases of a successful Spanish heritage movie and a contemporary Spanish thriller remade in Hollywood. The peunultimate chapter investigates electronic artists and the virtual universe, and the book ends with a look at the implications of Hispano-Mexican co-productions and the interconnectedness of economic and aesthetic cultural forms. -- .

This book is the first to explore three visual media in contemporary Spain: cinema, television and the internet. It also examines cultural products in each of these media in terms of three vital themes: emotion, location and nostalgia. The first two chapters focus on emotion. They analyze the 'emotional imperative' in a recent Almodovar feature film and in Spanish television's top-rated period drama, and investigate the politics of affect in TV drama in the last decade. The next pair of chapters deal with location. They use cultural geography to re-read contradictory accounts of the movida (the post-Franco cultural boom) and examine an attempt to anchor a US-derived genre (the youth movie) in the urban landscape of Madrid. The fifth and sixth chapters introduce the theme of location into nostalgia. They treat the unique cases of a successful Spanish heritage movie and a contemporary Spanish thriller remade in Hollywood. The peunultimate chapter investigates electronic artists and the virtual universe, and the book ends with a look at the implications of Hispano-Mexican co-productions and the interconnectedness of economic and aesthetic cultural forms. -- .

This book is a representative history of East German film culture from 1946 to the present, examining both DEFA's celebrated classics and the most acclaimed post-unification feature films by East German directors. 'Hollywood behind the wall' demonstrates that East German cinema occupies an ambivalent position between German national cinema on the one hand and East European and Soviet cinema on the other. It includes a wide-ranging exploration of post-unification cinema from East Germany, including cult films such as 'Sun Alley' and 'Goodbye, Lenin!' and provides contextualised, close readings of twenty significant films, referencing one hundred and ninety East German films in total, along with numerous West German and East European classics. The book's scope and its critical consideration of archival materials and scholarly literature make it an authoritative compendium for students and scholars of film studies, German studies and modern European history. -- .

Approaches to the detailed analysis of film and related questions about interpretations and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. The essays - which include contributions by established film scholars (such as George M. Wilson, V. F. Perkins and Laura Mulvey) and by younger writers in the field - centre on methods of close analysis and ground their discussion in the detail of individual films. With a common focus on the choices made by filmmakers, the writers explores different aspects of the relationship between textual detail and broader conceptual frameworks. Some chapters examine individual aspects of filmmaking - the long take, cinematography, space and point of view, unreliable narration. Others take up different kinds of questions which are equally crucial to textual analysis and interpretation, including: meaning and value; emotional response; the concept of 'the fictional world'; new technologies and film analysis. The selection of films has been made to reflect not only those areas of film history which traditionally been explored through mise-en-scene criticism, but also areas such as the avant-garde and television drama which have not tended to receives such detailed investigation. In these ways the book conducts a series of dialogues with issues in film study which are specifically provoked by close analysis. Style and meaning is an important new initiative in the varied literature of film studies. its highly readable collection of analyses and variety of approaches will prove popular on undergraduate courses while providing an invaluable resource for graduate students and teachers of film and media. -- .

This is the first in-depth study of the science fiction television devised and written by Terry Nation. Terry Nation was the inventor of the Daleks and wrote other serials for 'Doctor Who'; he also wrote the BBC's 1970s post-apocalyptic drama 'Survivors' and created the space adventure series 'Blake's 7'. Previously television science fiction in Britain has received little critical attention. This book fills that gap and places Nation's work in the context of its production. Using Terry Nation's science fiction work as a case study, the boundaries around the authorship and authority of the television writer are explored in detail. The authors make use of BBC's archival research and specially conducted interviews with television producers and other production staff, to discuss how the programmes that Terry Nation created and wrote were commissioned, produced and brought to the screen. The book makes an important contribution to the study of British television history and will be of interest to enthusiasts of Terry Nation's landmark drama series as well as students of Television Studies. -- .

Stars are central to the cinema experience, and this collection offers a variety of fresh and informed perspectives on this important but sometimes neglected area of film studies.This book takes as its focus film stars from the past and present, from Hollywood, its margins and beyond and analyses them through a close consideration of their films and the variety of contexts in which they worked. The book spreads the net wide, looking at past stars from Rosalind Russell and Charlton Heston to present day stars including Sandra Bullock, Jackie Chan and Jim Carrey, as well as those figures who have earnt themselves a certain film star cachet such as Prince, and the martial artist Cynthia Rothrock. The collection will be essential reading for students and lecturers of film studies, as well as to those with a general interest in the cinema. -- .

Deals analytically with the fascinating topic of the great film stars (and some thought-provoking lesser ones) of the British cinema, from Alma Taylor and Ivor Novello in the Silent period, up to the present day. Looks both at stars who attained worldwide fame through the Hollywood cinema, and those whose contribution is primarily to the national cinema.. First collection of essays on the subject with a wide historical coverage including major figures, such as Connery, Mason, Trevor Howard, Deborah Kerr, Mary Millington, Albert Finney and James Mason. Major figures in UK film studies have contributed, including Marcia Landy, Andrew Higson, Peter Evans, Charles Barr, Pam Cook and Andy Medhurst. -- .

The Great Exhibition of 1851 has become a touchstone for the nineteenth century. The Crystal Palace produced a commodity world, an imperial spectacle, a picture of capitalism, a liberal dream, a vision of modern life. Historians have saturated the Great Exhibition with meanings. This collection of essays exposes how meaning has been produced around the Great Exhibition. It contains a series of critical readings of the official and popular historical record of the Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Their essays explore the determined use of industrial knowledge, the contested definitions of nation and colony, and the actual control of the space of the Crystal Palace after the Great Exhibition closed. The Great Exhibition of 1851 presents new interpretations of one of the most significant exhibitions in the nineteenth century and will be essential reading for anyone studying cultural history, design history, art history and literature. -- .